
a book
Plotting and Writing Suspense Fiction
Patricia Highsmith · 1966 · 160 pages
Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the "likeable criminal"; going from first draft to final draft; and writing the suspense short story. Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work. Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master. AUTHORBIO: The late Patricia Highsmith was reknowned as a great writer of suspense, winning the French Grand Prix de Litterature Policiere(1957) and the British Crime Writers Association's Silver Dagger in 1964. She is the author of twenty seven works of fiction, as well as numerous reviews and essays.
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Lucy Foley
“I love Patricia Highsmith’s writing for her brilliant plotting and her ability to create characters we’re drawn to in spite of ourselves. Tom Ripley is the ultimate anti-hero. He’s a sociopathic murderer and yet the reader finds themselves hoping he won’t get caught (or at least I did!) Because we’re subtly encouraged to empathize with him as the outsider who never had the advantages of the spoiled, rich characters in the book — yet manages to get one over on them all the same. Anyway, I picked this book as I found it invaluable when writing my first murder mystery, The Hunting Party — so much so that I read it again when I came to write The Guest List. Highsmith shares her own writing failures and setbacks, her approach to plotting and to brainstorming ideas. I’d call it a must-read for anyone thinking of writing their own thriller or writing in general.”↗