
a book
Go Tell It on the Mountain
James Baldwin · 2013 · 226 pages
One of the most brilliant and provocative American writers of the twentieth century chronicles a fourteen-year-old boy's spiritual, sexual, and moral struggle of self-invention in this “truly extraordinary” novel (Chicago Sun-Times).
Baldwin's classic novel opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."
Baldwin's classic novel opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."
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Ocean Vuong
“The novel that Baldwin claims he ‘had to write if [he were] ever to write anything else’ is a masterclass on how potent and vital an autobiographical text can be for a writer of color. In a literary culture that often casts the debut as arriving out of a serendipitous phenomenon, the autobiographical novel, as evidenced by Baldwin, serves as a map of one’s journey towards art. It says, essentially, that a writer of color does not arrive at the literary table, as is often believed, in spite their geographical and cultural roots, but because of them, that those origins, complex and rich with joy and challenges, were foundations within their praxis—not shackles that denied them an imagination.”↗

